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SELLING YOUR SCREENPLAY


SellAScript.com is committed to helping you all the way. From getting your ideas down on paper to pushing open the doors of Hollywood and getting that screenplay sale and/or representation. It's a long road, but you're already here so let's start making it happen.

We offer services that will prove to be a real investment in your screenplay, but if you're not ready you can still hang out and take advantage of all of our writers resources.





Script Marketplace


Hollywood can't come knocking on your door if they don't know where you live, so set up home in our Script Marketplace, it's open 24/7. We know there’s nothing harder than trying to get your screenplay into the hands that matter: the studios, production companies, agents and industry execs that can make things happen for you. You know your screenplay is good, if only you could get someone to read it!! Very few people in town will look at an unsolicted screenplay i.e. a screenplay that has been sent by the writer themselves and not through an agent/manager or producer.

Submit your logline (pitch), synopsis and, if you choose, the first ten pages of your screenplay to our online Script Marketplace and let everyone come to you. We only allow industry professionals to access our Script Marketplace. Once inside, they browse by selected genre through the loglines & synopses on offer, and request your screenplay directly from you or your agent. The choice is yours. This allows you to keep track of who is requesting your work and ensure that your material is sent out in a timely and professional manner.


Example Script Marketplace Listing       Example Script Marketplace Search Form



       





Script Express


Script Express is the fastest and most comprehensive e-query service for writers - your screenplay pitch could be making the rounds in Hollywood the very next morning - it's that fast.

An e-query is a lot like a query letter, except of course it's sent by e-mail and is generally far more concise and dynamic in its content. A lot of industry professionals like e-queries, because they are quick, easy to respond to and don't take up a lot of valuable time. In fact, Hollywood has become more switched on to the idea of e-queries and now new screenplays and writers are being discovered every day.

Script Express will take your query and express it into the direct e-mail inboxes of 5,846 (current total) industry professionals, comprising studios, production companies and independent producers, plus 2,798 (current total) agents and managers. No other e-query service comes close. Your e-query does not look like a mass e-mail and all responses are directed to your own e-mail inbox.

Every e-query is personally handled to ensure that your e-query looks professional.

Order the Script Express service and you'll also receive a free six month subscription to our Writer's Rolodex, which allows you to research and manage your contacts and submissions!


Click here for a sample e-query letter (in Adobe Acrobat Format).


Currently submitting to the following companies:

Natural Selection; Worldview Entertainment; @Radical Media; 1 Management; 100 Percent Film & Television; 100 to1 Productions (Keegan Wilcox); 100% Entertainment; 100% Terry Cloth; 1019 Entertainment; 19 Entertainment, Ltd.; 21 Laps Entertainment; 21st Century Foy; 24 Seven Pictures; 24k Black Films, LLC; 26 Films; 2929 Productions; 2B Pictures; 2nd Generation Films; 2S Films; 3 Arts Entertainment, Inc.; 3 R Entertainment Group; 3 Stonehouse Crescent; 3210 Films (Bennett Davlin, Jesse Newhouse, Anthony Badalucco); 33 Degrees; 33andOut Productions; 3ality Digital Entertainment; 3am Pictures; 3DGenTech Productions; 3N1 Entertainment; 40 Acres & A Mule Filmworks; 44 Blue Productions, Inc.; 4th and Goal Entertainment; 4th Row Films; 5 Talent Entertainment; 51 Minds Entertainment; 57th & Irving Productions; 59 Management; 5th Gear Entertainment; 6 Pictures; 647K Productions; 72 Productions; 777 Group, Ltd.; 7Gorillas; 7Ponies Productions; 7th Floor, The; 821 Entertainment Group; 8790 Pictures, Inc.; 8th Wonder Entertainment; 9.14 Pictures; 900 Films; 928 Talent Management; 9th Floor Media; A Band Apart; A Band Apart (Quentin Tarantino); A Happy Place; A Management; A Picture Of You; A Snowball's Chance; A&E IndieFilms; A&E Network; A.C. Lyles Productions, Inc.; A.C.T. Management; A.D.S. Management; A.L. Films, LLC; A2 Entertainment Group; Aardman Animations; Aaron M. Priest Literary Agency; Abandon Pictures, Inc.; Abby Grey Productions; Abby Lou Entertainment; ABC Entertainment Television Group; ABC Family; ABC Management Group; Aberration Films; About Entertainment; Abra Edelman Productions; Abrams Artists Agency (LA); Abrams Artists Agency (NY); Abstract Entertainment; AC Works; Acappella Pictures; Accelerate Entertainment; Accelerator Films; Accidental Media; Act III Productions; Act III Productions (Norman Lear); Act One Talent; Action American Entertainment; Active Entertainment; Actors Group, The; Actual Reality Pictures; Acuna Entertainment; Ad Hominem Enterprises; ADA Management Group; Adam Frankel Productions; Adam Kline Productions; Adrenaline Rush Productions (A.R.P. Studios); Adult Swim; Aegis Film Group; AEI-Atchity Entertainment International, Inc.; Aerial Focus Productions; Affiliated Entertainment; Affinity Artists Agency; Affinity Entertainment; Affinity Films International; Affinity Models & Talent Agency; Affirmative Entertainment & Productions; Affrime Productions, Mindy; A-Films; After Dark Films & Autonomous Films; Afterburner Films, Inc.; Agamemnon Films; AGAPE Productions; Agency For The Performing Arts; Agency for the Performing Arts, Inc.; Agency Group Ltd., The (LA); Agency Group Ltd., The (NY); Ahrens Productions, Robert; aid+abet; Aimee Entertainment Agency; Aircraft Pictures; AJI Productions; Akaya Films; Alameda Films; Alan Barnette Productions; Alan David Management; Alan Gasmer & Friends; Alan Sacks Productions; Alan Siegel Entertainment; Alan Smithee Films; Alcon Entertainment; Alex Rose Productions, Inc.; Alfa-Film Enterprises; Alianza Films International, Ltd.; A-Line Pictures; All That Entertainment Management; Allan McKeown Presents; Allen & Associates; Allen Edelman Management; Allentown Productions; Allied Stars; Alloy Entertainment; Aloe Entertainment/Proud Mary Entertainment/Insight Films/Regent Releasing; Aloris Entertainment; Alpern Group, The; Alpha Centauri Management; Alpha Omega Artists Management; Alphaville; Alpine Entertainment; Alta Loma Entertainment ; Altitude Entertainment; Alturas Films; AM Productions & Management; AM Productions & Management (Ann-Margaret); Amadeus Pictures; A-Mark Entertainment; AmazeFilms; Amber Entertainment; Amber Pictures Ltd; Ambition Talent Inc.; Ambitious Entertainment; Ambush Entertainment; Amen Ra Films; American Blackguard, Inc.; American Entertainment Foundation; American Film Company, The; American Film Partners; American Mutoscope and Biograph Co.; American Program Bureau; American United Entertainment; American Work Inc.; American World Pictures; American Zoetrope; American Zoetrope (Francis Coppola); Amicus Entertainment Limited; Amphion Productions; AmVic Entertainment; Amy Robinson Productions; Anagram Pictures Inc. ; Andell Entertainment; Andrea Simon Entertainment; Andrew Lauren Productions; Andrew Solt Productions; Angel City Talent; Angel Productions; Angel/Brown Productions; AngelBaby Productions; Angeles Pictures Inc.; Angelika; Angry Badger Pictures; Angry Dragon Entertainment; Angry Films, Inc.; Aniboom; Animal Planet; AniManagement; Animax Entertainment, Inc.; Animus Films; Ann Elmo Agency, Inc.; Anne Carlucci Productions; Annette Van Duren Agency; Anomaly Entertainment; Anomaly Productions; Anonymous Content; Anonymous Content (LA); Anonymous Content (NY); Anonymous Creators Productions; Another Diversion; Anthem Entertainment; Antidote International Films, Inc.; Antrim Street Entertainment; Apartment 3B Productions; Aperture Entertainment; Apostle; Apothecary Films; Appaloosa Pictures; Apparatus; Appian Way; Appledown Films Inc.; Appleseed Entertainment; Appleseed Entertainment, LLC; April Productions, Inc.; Arama Entertainment; Arcady Bay Entertainment, LLC; Archer Entertainment; Archer King, Ltd; Archetype; Arclight Films; Arden Entertainment; Ardustry Entertainment; Arenas Entertainment; ArieScope Pictures; Arkwatch Holdings LLC; Arlook Group, The; Armada Pictures; Armagh Films, Inc.; Arrow Films International; ARS Nova; Art/Work Entertainment; Artfire Films; Article 19 Films; Artifact Studios; Artisan Entertainment; Artist Entertainment; Artist International; Artist International (LA); Artist International (NY); Artist Management; Artists Consortium Management; Artists Group, East Inc., The; Artists International; Artists Literary Group; Artists Management Network; Artists Only Management; Artists, Inc.; Arts and Letters Management; Ascendant Pictures; Asgaard Entertainment; Assembly Entertainment; Asset Pictures; Associated Television International; Astral Talent Showcase; Asylum Entertainment; Asylum, The; At Ease Entertainment; Atkinson Way Films; Atlan Pictures; Atlantic Pictures; Atlantic Streamline; Atman Entertainment; Atmosphere Entertainment MM, LLC; Atmosphere Pictures; Atomic Cartoons, Inc.; Attaboy Films; Attaboy Films (James Gandolfini); Automatic Pictures; Autonomy ; Avalanche! Entertainment; Avalon Management; Avalon Television, Inc.; Avenue Pictures; Avery Management; aWounded Knee Independent Films; Axelson-Weintraub Productions; Axial Entertainment; Axiom Films; Axium Cinema; Baby Cow Productions, Ltd.; Babyhead Productions, Inc.; Back Home Pictures; Bad Hat Harry Productions (Bryan Singer); Bad Kitty Films; Bad Robot Productions; Badham Company, The; Baer Animation Company; Baio/White Productions; Bakula Productions; Bakula Productions, Inc. (Scott Bakula); Baldwin Entertainment Group; Baldwin Entertainment Group (Howard Baldwin, Karen Baldwin); Ballistic Media Group; Ballyhoo, Inc.; Baltimore Pictures, Inc.; Bamboo Management; Banana Films; Bandito Brothers; Bandwagon Entertainment; Bang Zoom! Entertainment; Bankable Productions; Banner Caswell Productions; Banner NY; Bannon-Oleshansky Productions & Management; Barbara Lieberman Productions; Barber Artists Group; Barcelona Films; Barnet Bain Films; Barnholtz Entertainment; Barnstorm Films; Barry Bookin Management; Barry Katz Entertainment; Barry Krost Management; Barry Perelman Agency; Barshop, Candee; Barwood Films; Basra Entertainment; Bates Motel; Baudelaire Corp.; Bauer Company, The; Bauer Martinez International; Baumgarten Management & Production, Inc. (BMP); Bay Films; Bay Films (Michael Bay); Bayano Films; Bayonne Enterainment; Bazelevs Productions; Bazmark, Inq.; BBC Films; BBC Worldwide Productions; BBC Worldwide Productions (NY); BBK Productions; BCII; BDE Entertainment; Beacon; Bearsmouth Entertainment; Beck Productions; Becker Entertainment Group; Becsey, Wisdom, Kalajian; Bedford Falls Company, The; Bedouin Features LLC; Beech Hill Films; Bel Films; Believe Entertainment, Inc.( AKA Numenorean Films); Belladonna Productions; Belladuo Entertainment; Beloved Pictures; Benderspink; Bensky Entertainment; Berg/Saccani Entertainment; Bergman Lustig Productions; Berk/Lane Entertainment; Berkeley Square Films Limited; Berman, Boals & Flynn, Inc.; Bermanbraun; Beth Bohn Management, Inc.; Bethel Agency, The; Bette Smith Management ; Bettina Productions, Ltd.; Beverly Grant Associates (BGA); Beverly Hills International Talent Agency; Bicoastal Talent; Bicoastal Talent & Literary; Big Bang Films; Big Beach; Big Crash Films; Big Event Pictures; Big Picture Studios; Big Pita Lil Pita Productions; Big Star Pictures; Big Talk Productions; Big Vision Entertainment; Bigel Entertainment; Bigel/Mailer Films; Bigger Boat, A; Bill Melendez Productions; Billett Productions, Stu; Biscayne Pictures; Bix Pix Entertainment; Bizazz Media; Black & White Productions; Black Folk Entertainment; Black Sheep Entertainment; Blacklight Films; Blackthorn Pictures; Blain & Associates; Blair Silver & Company; Bleecker Street Films; Bleiberg Entertainment; Blondie Girl Productions; Blossom Films; Blow Up Pictures; BLT Productions; BLT Productions Ltd.; Blu Nile Films; Blue Bay Productions; Blue God Films; Blue Horizon International; Blue Kiss Media LLC; Blue Rider Pictures; Blue Sky Studios; Blue Star Entertainment; Blue Stone Productions; Blue Tulip Productions; Blue Turtle, Inc.; BlueArc Animation ; Bluebird Entertainment; Blueline Productions; Blueprint Entertainment (LA); Blueprint Entertainment (Toronto); Blueprint Pictures; BlueSky Movies; Blumford Enterprises; Blumhouse Productions; Blurbmen Productions; Bob & Alice Productions, Inc.; Bobbe Siegel Literary Agency; Bockworks, Inc.; Bogner Entertainment, Inc.; Bohrman Agency, The; Bold Films; Boneyard Entertainment; Bonne Pioche Productions; Bonnie Black Talent & Literary Agency; Bonnie Bruckheimer Productions; Bonny Dore Productions; Book Deals, Inc.; Booker Productions, Bob; Borderline Amazing Productions; Boulevard Pictures; Boutique TV Inc.; Boxx Communications, LLC; Boy Wonder Productions; Boz Productions; Brad Waisbren Enterprises; Brad Wyman Productions; Bradford Enterprises & Gemmy Productions; Brady Productions, David; Braga Productions; BrainBOW; Brainstorm Media; Brancato/Salke Productions; Branded Entertainment; Branded Pictures Entertainment; Brands-To-Books, Inc.; Brandt & Hochman Literary Agents; Brant Rose Agency, The; Braun Entertainment Group, Inc; Brave New Films; Braverman Productions, Inc.; Bregman Entertainment Group, The; Bregman Productions; Brenner Management; Bret Adams, Ltd.; Brian Lutz Management; Bridge Falls Entertainment; Bridget Johnson Films; Bridgit Folman Film Gang; Brightlight Pictures, Inc.; Brillstein Entertainment Partners; Brink Films, Inc.; Bristol Bay Productions; Bristol Cities; British Lion (LA); British Lion (UK); Broadway Pictures; Broadway Video; Broadway Video Entertainment; Brogan Agency, The; Broken Lizard Industries; Broken Road Productions; Brooklyn Media; Brookside Artist Management; Brookwell McNamara Entertainment; Brookwell McNamara Entertainment, Inc.; Brown Leader Management Group; Bruce Brown Management; Brustein Entertainment; Bryan Hickox Pictures, Inc.; Bubble Factory, The; Buck Productions; Buenos Aires Features / Peluca Films; Buffalo Gal Pictures, Inc.; Bullet Films; BullitFilms; Bull's Eye Entertainment; Bumba Animation Studio; Bumber Shoot Entertainment; Bumbershoot Entertainment; Bungalow 78 Productions; Bunton Films Ltd; Burleigh Filmworks; Burnside Entertainment, Inc.; Burrud Productions; Burstein Company, The; C To The B Productions; C.M. Two Productions; C/W Productions; C2 Pictures; C3 Entertainment, Inc.; Cabin Creek Films; Cactus Pudding Productions; Cactus Three; Cahoots Productions; Cahoots Productions, Inc.; Caldera/De Fanti Entertainment; Caliber Media Co.; Caliber Talent Management; California Artists Agency; Callahan Filmworks; Cambridge Literary Associates, Inc.; Camden Pictures; Camelot Entertainment Group; Camelot Entertainment Group, Inc.; Camelot Pictures; Canary Films; Candleridge Entertainment; Candy Entertainment, Inc.; Candy Heart Productions; Cannell Studios; Canvas House Films; Capital Arts Entertainment; Capo Productions; Captivate Entertainment; Captures Entertainment; Carascope Productions, Inc.; Careyes Entertainment; Carlton America; Carlyle Productions & Management; Carnival Film & Television Ltd.; Carry Company, The; Carse & Waterman Productions; Carsey-Werner-Mandabach; Cartoon Network; Caruso Visual Productions; Caruso/Mendelsohn Productions; Cary Hoffman Management; Cary Kozlov Literary Representation; Casey Silver Productions; Cassini Films Italia; Cassini Films Limited; Castiglia Literary Agency; Casting Unlimited & Management; Castle Rock Entertainment; Castlebright Studios; Cataland Films; Catch 23 Entertainment, Inc.; Catchlight Films; Category 5 Entertainment; Cates/Doty Productions; Catfish Productions; Cathedral Entertainment; Cattleya; Cavaleri & Associates; Caveman Films; Caviar LA; CAVU Pictures; CBS Entertainment; CBS Films; CBS Television Studios; Cecchi Gori Group; Cecchi Gori Pictures; Cedar Grove Agency Entertainment; Celador Films; Celebrities Plus Inc.; Celebrities Plus, Inc.; Centropolis Entertainment; CEO Creative Entertainment; CFP Productions; CFunk Productions; CG Productions; Chad Snopek Management; Chaiken Films; Chancellor Entertainment; Chanticleer Films; Characters, The; Charisma Group; Charles Rapp Enterprises, Inc.; Charlotte Gusay Literary Agency, The; Charlotte Street Films; Chartoff Productions; Chasin Agency, The; Cheatham, Greene & Company; Checkmate Entertainment; Cheeseburger Films, Inc.; Cheng Caplan Company; Cheri Ingram Enterprises; Cherry Pie Entertainment, LLC; Chesler/Perlmutter Productions; Chesterfield Film Company, The; Chiaramonte Films, Inc.; Chic Productions; Chicagofilms; Chill Films; Chinatown Productions; Chiodo Bros. Productions, Inc.; Chi-Town Films; Chockstone Pictures; Chris/Rose Productions; Christoper R. Coppola Productions; Chromosome22 Films; Chuck Fries Productions, Inc.; Cilibrasi & Associates, Inc.; CIMA Productions, Inc.; Cindy Cowan Entertainment, Inc.; Cine Mosaic; Cine Paris; Cine/Lit; Cinearte; Cineaste Group; Cinegroupe; Cinema Epoch; Cinema Libre Studio; Cinema Revival, Inc. (Scott William Alvarez, David W. Johnson); Cinema Seven Productions; Cinemagic Entertainment; Cinemalogical; Cinemantics LLC; Cinemastreet, LLC; Cinematek Film & Television; Cinepro Pictures International; Cinequest Mavericks Studio; Cinergi; CineSon Productions; Cinetel Films; Cinetic Management; Cinetic Media; Cineview Productions; Cineville/Keystone Studios; Cinnamon Productions, Inc.; Circle of Confusion; Circle of Friends Productions; City Lights Media Group; City Lights Pictures; Civilian Pictures; Clarity Pictures, LLC; Clark Management Company; Class of 79 Productions; Classic Films; Claymore, Inc.; Clean Break Productions (Tom Arnold); Clear Pictures Entertainment Inc.; Clearview Productions; Clearwater Filmworks; Cloud 9 Media Group; Cloud Productions/The Olen Company; Coast To Coast Talent Group, Inc.; Coastal Entertainment Productions; Cobalt Media Group; Cobblestone Films; Cochran Productions; Code Entertainment; Code Film Inc.; Codeblack Entertainment; Codikow Films; Cohen Pictures; Cole Schotz Meisel Forman & Leonard PA; Colebrook Road; Coliseum Pictures Corporation; Coll-Abbitt Productions; Collaborative Artists; Collective, The; Colleen Camp Productions; Collier Associates, Ltd., Minerva; Collision Entertainment; Colomby Films; Color Force; Colossal Entertainment; Colosseum Management; Colucci Films; Columbia Artists Management, Inc.; Columbia Artists Management, LLC; Columbia Pictures; Columbia Tristar Motion Picture Group; Comedy Central; Comedy Central (LA); Comedy Central (NY); Comet Pictures; Commonwealth Talent Group; Companion Pictures; Completion Films; Complex Films; Con, The; Concept Entertainment; Concorde-New Horizons; Concrete Entertainment; Concrete Pictures; Connection III Entertainment Corp; Connection III Entertainment Corp.; Consortium Entertainment; Constantin Film Development; Constantin Film Development, Inc.; Constantin Film Development, Inc. / Constantin Television; Contemporary Talent Partners (CTP); Content & Pressman Films; Content House; Contentfilm; Contentfilm (LA); Contentfilm (London); Contento Pictures; Contrafilm; Conversation Company, Ltd., The; Cookie Jar Entertainment; Cookie Jar Entertainment (LA); Cookie Jar Entertainment (Toronto); Cooper Company, The; Cooper's Town Productions; Copperheart Entertainment; Coralie Jr. Theatrical Agency; Core, The; Corner of the Sky Entertainment; Corner Store Entertainment; Cornerstone Literary, Inc.; Cornerstone Management; Coronet Films; Cortes Films; Corymore Productions; Cossette Productions; Course Management; Coyote Pass Productions; CP Productions; CPC Entertainment; CPM Creative; Craig Anderson Productions; Craig Wyckoff & Associates; Crave Films; Crazydreams Entertainment; CRC Entertainment; Creanspeak Productions, LLC; Created By; Creative Battery; Creative Capers Entertainment; Creative Content Management; Creative Convergence; Creative Enterprises Management; Creative Entertainment Group; Creative Haven Entertainment; Creative Light Entertainment; Creative Management Group, LLC; Creative Motion Pictures; Creative Production Group; Creative Visions; CreativeWorks Entertainment; Creature Entertainment; Crescendo Entertainment Group; Crescent Sky, Inc.; Crest Animation Productions; Crime Scene Pictures; Crispy Films; Criterion Group, The; Cross-Genre Entertainment; CRPI Entertainment; Crucial Films (Dr. Dre); Cruqui Cracker Productions; Crystal Lake Entertainment, Inc.; Crystal Sky Pictures, LLC; Crystal Spring Productions; CS Entertainment; CSM Communications; CTI Artists Management; Ctonic Flikz; Cunningham Productions; Curb Entertainment; Curious Pictures; Curtis Brown, Ltd.; Cutwater Media; Cuzzins Management; CW Productions; Cyan Pictures; Cynce Media; Cypress Films, Inc.; Cypress Point Productions; D. Petrie Productions, Inc.; Dade/Schultz Associates; Dahlia Street Films; Dakota Pictures; Damage Inc.; Damn Good Entertainment; Dan Curtis Productions; Dan Lupovitz Productions; Dan Wigutow Productions; Daniel & David Agency; Daniel L. Paulson Productions; Daniel Ostroff Productions; Daniel Sladek Entertainment Corporation; Danika Productions; Danjaq, Inc.; Dare Films Ltd.; Dare To Pass; Darius Films Incorporated; Dark Art Films; Dark Horse Entertainment; Dark Matter Productions; Dark Trick Films; Darko Entertainment; Darkwoods Productions; Darren Star Productions; Das Films; Dave Bell Associates; David Eick Productions; David Foster Productions; David Kirschner Productions; David Ladd Films; David Mickey Evans; David Shapira & Associates (DSA); Davis Entertainment Company; Davis Entertainment Filmworks; Davis Management; Daybreak Productions; De Line Pictures; Deacon Entertainment; Debra Hill Productions; Decoy Collective; Dee Mura Enterprises Inc.; Deep Image Unlimited; Deep Image Unlimited, Inc.; DeerJen Films; Degenkolb Entertainment; Deiter Literary Agency, The; DeJ Management Company; Deja View Productions; Delaware Pictures; Delight Films Ltd; Delphinius Talent Management; Denver and Delilah Films; Denver and Delilah Films (Charlize Theron); Derek Power Company, Inc., The; DeSalvo Productions; Destiny Pictures; Devere Films; Deviant/Bedlam Films; Dev-O-Ron Pictures, LLC; Dewalt & Muzik Management; DFZ Productions; DGF Worldwide Entertainment Group, LLC; Di Bona Productions, Vin; Di Bonaventura Pictures, Inc.; Di Novi Pictures; Difi Films; Digital Artists Agency (DAA); Digital Magic Entertainment, Inc.; Digital Ranch Productions; Dimension Films; Dinamo Entertainment; Dino De Laurentiis Company; Dino De Laurentis Company; Dirty Rice; Distant Horizon; Distant Horizon (LA); Diversa Films; Diverse Entertainment; Diverse Talent Group, Inc.; Divine Management; DKZ Films; D-Mented Entertainment, LLC; DNA Films; Dodie Gold Management, Inc.; Dog and Pony Productions; Dolce Vita Productions; Dolores Robinson Entertainment; Dolphin Entertainment; Dominion Entertainment; Don Buchwald & Associates; Don Buchwald & Associates (LA); Don Buchwald & Associates (NY); Don Carmody Productions; Don Klein Management Group, Inc.; Donen/Raimi Company; Donners' Company, The; Doomed Productions; Do-Over Productions; Doozy Films; Dore Management, Bonny; Dorfman Management, Rick; Double A Films; Double Eagle Entertainment; Double Edge Entertainment; Double Feature Films; Double Nickel Entertainment (NY); Douglas Management Group; Douroux & Co.; Downey/Todoroff Productions; Downright Digital Productions; Drama 3/4 Productions; Dream City Films; Dream Entertainment; Dream Journey Studios; Dream Media Pty Limited; Dreamline Pictures; Dreamworks Animation SKG; Dreamworks Studios; Dreamworks Television; Dreyfuss/James Productions; Driven Entertainment; Driver Seat Productions; Drunken Angel Entertainment; Dryer Productions, Fred; Ducks In A Row Entertainment; Duffy Square Productions; Duke Media; Duly Noted Inc.; Duly Noted, Inc.; Dunham Literary; Durkin Literary/Entertainment Group; Dutch Tilt Film; Dutiful Films; DV8 Management; E Management; E1 Entertainment; E1 Entertainment (Canada); E1 Entertainment (US); E3 Entertainment; Eagle Nation Films; Ealing Studios; Earl Shank; Ears XXI; Earthbourne Films; Earthworks Films; East of Doheny/Lexington Road Productions; Eastwood Talent Corporation; Ebersole Hughes Company, The; Ebony I Management; Echelon Entertainment; Echelon Studios; Echo Lake Entertainment; Eddie Kritzer Productions; Eden Rock Media; Eden Rock Media, Inc.; Edko Films Ltd.; Edmonds Entertainment; Edna Cowan Management; Edward R. Pressman Film Corporation; Edward S. Feldman Company; Edward Saxon Productions (ESP); Edwards Productions, Ralph; Eighth Square Entertainment; EK Films; EK Management; EKP Productions; El Dorado Pictures; Electric Entertainment; Electric Farm Entertainment; Electric Shepherd Productions; Elements Entertainment; Elephant Eye Films; Elephant Walk Entertainment; Elevate Entertainment; Elevation Filmworks; Elixir Films; Elizabeth Fowler Management; Elkhorn Entertainment; Elkins Entertainment; Elkins Entertainment Corporation; Ellechante Talent Agency; Elsboy Management; Elysian Entertainment, Inc.; Emancipated Talent Management & Consulting; Embassy Row LLC; Ember Entertainment Group; Emby Eye; Emerald Literary Management; Emerald Oceans Media Group; Emerald Talent Group; E-Merge Media; Emerging Networks; Emerging Pictures; Emission Control Management; Emjag Productions Inc.; Emmett/Furla Films; Empire Management Group; Empire Pictures Incorporated; Empty Pocketts Productions; Empyre Films; Encore Artists Management; Endeavor Agency; Endeavor Talent Agency; Enderby Entertainment; Endgame Entertainment; Energy Entertainment; Engelman Productions, Tom; Engine 96; Enlightenment Productions; Ensemble Entertainment ; Enteraktion Studios; Entertainment Management Group; Entertainment Studios, Inc.; EnTheon Entertainment; Entitled Entertainment; Envisage Pictures; Envision; Envoy Entertainment; Epic Level Entertainment, Ltd.; Epic Motion Pictures; Epicita / Nadifilm; Epigram Entertainment; Epigram Management; Epiphany Pictures, Inc.; Epitome Pictures Inc.; Equilibrium Entertainment, LLC; Equus Entertainment; Errant Press; Escape Artists II; Esperanza Productions; ESPN Original Entertainment; E-Squared; Essential Pictures; Essential Talent Management; Eternity Pictures; Euphoria Entertainment; Eurobridge TV Intl.; Europacorp Films; Evans Company, The Robert; Evans Management; Evatopia; Evergreen Films, Inc.; Evergreen International Management; Evolution; Evolution Entertainment; Evolving Productions; Exceed Entertainment, Inc.; Excelsior Pictures; Exclusive Media Group & Spitfire Pictures; Exile Entertainment; Exodus Film Group; Exxcell Entertainment, Inc./Exxcell Films; Exxcell Entertainment, Inc./Exxcell Films (Diane Ladd); Eye on the Ball Films, Inc.; F.&.M.E./ Film & Music Entertainment; Face Productions/Jennilind Productions; Face Productions/Jennilind Productions (Billy Crystal); Face Punch Entertainment (Peter Berg); Face/Jennilind Productions; Fade In Films; Fallout ; Famous Davis Productions; FanaFilm; Fandom Entertainment; Far Hills Pictures, LLC; Farah Films & Management; Farber Literary Agency; Farris Literary Agency; Fast Carrier Pictures; Fastback Pictures; Fastbreak Management Inc.; Fastnet Films; Fat Chance Films; FatFrame Productions; Fauci Productions; Faye Schwab Productions / MMA, Inc.; Fearmakers Studios; Federal Bureau of Entertainment; Feigen Parrent Literary Management; Feldman Company, The; Ferguson & Associates Talent/Literary Agency, Sylvia; Festa Entertainment; Feverpitch Pictures / Framelight Productions; FGM Entertainment; Field Cech Murphy Agency, The; Fierce Entertainment; Fierce Entertainment, LLC; Fifi Oscard Agency, Inc.; Fifth Floor Pictures; Film 44; Film Bridge International; Film Crash; Film Department, The; Film Rites; Film Roman, A Starz Company; Film4; Filmcolony; FilmEngine; FilmNation Entertainment; FilmNation Entertainment LA; FilmNation Entertainment NYC; Films By Jove; Filmsaavy; filmscience; Filmstar Productions; Filmstreet Productions; Filmworld; Final Cut Productions, Inc.; Find Enterrtainment, LLC; Findelle Management, Stann; Fine Line Features; Fineman Entertainment; Fineprint Literary Management; Finerman Prods., Wendy; Finest Hour Films/Studio 108; Fiore Films, LLC; Firebrand Productions; Fireworks Entertainment; Firm, Inc., The; First Cold Press Productions; First Entertainment; First Light; First Look Talent & Literary Agency; Fisher Productions; Five Mile River Films; Flame Ventures LLC; Flash Entertainment; Flatiron Films; Flavor Unit Entertainment; Flavor Unit Entertainment (Queen Latifah); Flickbag Inc ; Flip Side Film; Floating Island Productions; Flower Films, Inc.; Flutie Entertainment; Flying A Studios; Flying Freehold Productions; FMA Management, Inc.; Fobia Films; Foco Films; Focus Features; Focus Features/Rogue Pictures; Fog Pilot New Media; Folio Literary Management, LLC; Forbes Entertainment; Foreland Pictures; Foremost Films; Forensic Films, Inc.; Foresight Entertainment; Foresight Unlimited; Forest Hill Pictures; Fortitude; Fortress Features; Forward Entertainment; Foundation Entertainment; Foundation Features; Foundation Management; Foundry Capital; Fountainhead Pictures; Four Point Entertainment; Four Winds Pictures; FourBoys Entertainment; FourSight Entertainment; Fourth Floor Productions; Fox Productions, Ted; Fox Searchlight Pictures; Foxboro Company, Inc., The; Frame 10 Productions; Fran Saperstein Organization; Franchise Pictures; Frank Abatemarco Productions; Franklin Mint Films; Frazier | Chipman Entertainment; Fred Dryer Productions; Fred Kuehnert Productions; Frederator Studios; Frederic Golchan Productions; Frederick Zollo Productions, Inc.; Free Spirit Productions; Freefall Films; Freeman Productions, Joel; Freeze Frame Entertainment (LA); Freeze Frame Entertainment (NY); Frelaine; Fremantlemedia North America; Fremantlemedia North America, Inc.; Frenetic Media; Frequency Films; Fresh & Smoked; Fresh Faces Agency, Inc.; Fresh Films; Fresh Produce Films; Fried Films; Friendly Films; Front Street Pictures, Inc.; Frontier Pictures; Frontline Management; FRP Literary-Talent Agency; FTL Company, The; Fuel Filmworks; Full Circle Management; Full Moon; Fuller Films, Inc.; Fulton Market Films; Fun Little Movies; Funimation Entertainment; Funny Boy Films; Funny Or Die, Inc.; Furst Films; Furthur Films; Furthur Films (LA); Furthur Films (NY); Fuse Entertainment; Futile Effort Films; Future Films; Future Films USA; Fuzzy Hair Films; G4; Gage Group, Inc., The (LA); Gal Films, Ltd.; GalaFilm; Galan Entertainment; Galatee Films; Gallagher Literary Management; Gallant Entertainment; Gang Of Two; Garlin Pictures, Inc.; Gary Hoffman Productions; Gary Sanchez Productions; Gary Smith Company; Gates Pass Films; Gateway Management; Gatsby Group Inc., The ; Gaylord Films; Gekko Film Corporation; Gelff Agency, Laya; Gem Entertainment Group, Inc.; Gemini Artists Entertainment Inc.; Gemstone Talent Management; Gene Simmons Company, The; Generate; Genrebend Productions, Inc.; George Schlatter Productions; Georges Borchardt, Inc.; Gerber Pictures; Gerler Agency, The; Gersh (LA); Gersh (NY); Get Set Films; Ghettosuburbia Entertainment; Ghost House Pictures; Ghost Robot; Gibson Productions; Gigantic Pictures (I); Gigantic Pictures (III); GigaPix Studios; Gil Adler Productions; Gilbert Films; Gina Maccoby Literary Agency; Ginty Films, Robert; Giraffe Productions; Girls Club Entertainment; Gitlin Productions; Gittes, Inc.; GK Films; Glass Attic Films; Glick Agency, The; Global Artists Agency; Global Entertainment Media; Global Entertainment Productions & Management; Global Media Television; Global Network Pictures; GMR Productions; Go Entertainment; Go Girl Media; Go Go Luckey Productions; Go Long Productions; God's Dream; Goff-Kellam Productions; Gold Circle Films; Goldcrest Films; Goldcrest Films (London); Goldcrest Films (NY); Golden Entertainment West; Goldsmith Entertainment Company; Goldsmith/Yuspa Productions; Goldstreet Pictures; Good Machine; Good Worldwide; Goodman Company, The; Goodman/Rosen Productions; Gordonstreet Pictures; Gorilla Pictures; Gotham Entertainment Group; Gotham Group, Inc., The; Gracie Films; Grade A Entertainment; Graham/Rosenzweig Films; Grainy Pictures; Gran Via Productions; Granada Entertainment USA; Grand Cheval; Grand Productions, Inc.; Grant, Savic, Kopaloff and Associates; Grapevine Productions; Graup Entertainment; Gray Eminence Productions GmbH; Gray Fox Films, LLC; Graymark Productions; Graymark Productions, Inc.; Grazka Taylor Productions; GRB Entertainment; Greasy Entertainment; Green Communications; Green Grass Blue Sky Company; Green Hat Films; Green Valley Entertainment; Green/Epstein/Bacino Productions; Greenberg Group, The; Greene Management/Productions, Melanie; Greenestreet Films; Greenestreet Films (LA); Greentrees Films; Greenwald Productions, Robert; Greenwood Avenue Entertainment; Grey Line Entertainment; Grey Line Entertainment Inc.; Greyshack Films; Greystone Television and Films; Grindout Pictures; Grinning Dog Pictures; Grisham Films USA; Gross Entertainment; Grosso Jacobson Communications Corp. (LA); Grosso Jacobson Communications Corp.(NY); Gross-Weston Productions; Groundswell Productions; Group Entertainment, The; Gryphon Films; Guardian Entertainment; Guardian Entertainment, LTD ; Guardian Studios; Gundelach; Gunn Films; Gurin Company, The; Gurman Agency, LLC, The Susan; GVA Talent Agency, Inc.; Gywn Foxx Talent Agency; H. David Moss & Associates; H2 Productions; H2F Entertainment; H2O Motion Pictures; Haft Entertainment; Hal Lieberman Company, The; Hal Ross Productions; Halcyon Company; Halcyon Company, The; Halifax Film Company; Hallmark Entertainment; Halo Entertainment; Hamilburg Agency, The Mitchell J.; Hamilton-Mehta Productions; Hand Picked Films; Handmade Films; Handmade Films (NY); Handprint Entertainment; HandsomeCharlie Films (Natalie Portman); Hanns Wolters International, Inc.; HansomeCharlie Films; Hanson Management, Eric; Happy Madison; Happytogether Film & TV; Harbor Lights Productions; Hard Working Movies; Harden-Curtis Associates; Harold Ober Associates; Harpo Films, Inc. ; Harpo Films, Inc. - LA (Oprah Winfrey); Harriet Sternberg Management; Harris Company, The; Hart Entertainment; Hart Literary Management; Hart Sharp Entertainment, Inc.; Harvey Klinger, Inc.; Hasbro, Inc./Hasbro Studios; Hassman Fitzgerald Entertainment; Hat Factory Studios; Hat To The Back Productions; Hatchery, The; Haugland Productions, David; Hawk Entertainment; Hawkes Bay Productions; Hawthorn Productions; Hays Media; Hazen Talent Management; HDFilms Inc; HDNet; Headline Pictures; Hearst Entertainment Productions; Heavy Duty Entertainment; Hecht Company, The; Heitmann Entertainment; Hella Good Moving Pictures; Heller Productions, Rosilyn; Henceforth Pictures; Henderson/Hogan Agency; Henderson/Hogan Agency (NY); Hennessey Entertainment; Hephaestus Entertainment & Travel Group; Here Media, Inc.; Hero Entertainment; Heroes and Villains Entertainment; Herold Productions; Heyday Films; Heyday Films (LA); Heyday Films (UK); Hideon Productions; High Concept Management; High Seas Entertainment; Highroad Entertainment; Hill & Barlow Agency, The; Himber Entertainment; Hines & Hunt Entertainment; Hinterland Entertainment; Hinterland Studios; Hippofilms; Hit & Run Productions, Inc.; HIT Entertainment; Hofflund Company, The; Hoffman Films; Hohman Maybank Lieb; Holcomb Productions, Rod; Holder Management; Holding Pictures; Holly Wiersma Productions; Hollywood Film Office; Hollywood Independents; Hollywood International Films, Inc.; Hollywood Network; Hollywood Sunset Pictures Inc.; Homegrown Films; Homegrown Pictures, Inc.; Honest Engine Films; Hook Entertainment; Hopscotch Pictures; Horizon Entertainment (Canada); Horizon Entertainment (US); Hornick Films; Hotchkiss & Associates; Howard Entertainment; HQ Pictures; HSI Entertainment; HSI Productions; Hudson Agency; Hudson Productions; Hughes Capital Entertainment; Humble Journey Films; Humble Journey Films (Eriq La Salle); Hung Entertainment Group; Hunting Lane Films; Huntsman Entertainment; Hurricane Entertainment; Hyams Productions, Inc., Peter; Hybrid Films Australia; Hyde Park Entertainment; Hyler Management; Hyman, Ellen; Hype Entertainment; Hyperion Studio; Hypnotic; Hypnotic (NY); Hypnotic/Dutch Oven; i5 Films; Iceman Productions; ICM; Icon Productions, Inc.; Iconomy, LLC ; Idea Factory, The; Ideal Entertainment; Identity Talent Agency, The; Idiom Films & Entertainment; Idiot Savant Pictures; IFA Talent Agency; IFC (Independent Film Channel); IFM Film Associates; IFM Film Associates Inc.; Illumination Entertainment; Image Productions; Imagemaker Films; Imagemovers Digital; Imagemovers Digital (Robert Zemeckis); Imagenation Abu Dhabi; Imageries Entertainment; Imagi Services (USA) Limited; Imagina US; Imaginarium Entertainment Group; Imaginary Forces; Imagination 9; Imagination Productions; Imagine Entertainment; IMAX Corporation; IMG Media; IMG/Broadcasting; Immersion Management; Immortal Entertainment; Impact Artists Group, LLC; Impact Pictures (Jeremy Bolt, Paul Anderson); Imparato/Fay Management; Imprint Entertainment; In Cahoots; Incognito Entertainment; Indalo Productions; Independent; Independent Group, The; Independent Talent Group; Independent Together, Ltd.; Indian Paintbrush; Indian Paintbrush (LA); Indian Paintbrush (NY); Indican Productions; Indie Genius Filmworks; Indievest Pictures; Indigo Films; Industry Entertainment Partners; Inferno; Infinity Management International; Infinity Media, Inc.; info@kaplanstahler.com; Informant Media; Informant Media, Inc./Cairo Simpson Entertainment, Inc.; Inkwell Management; Inneract Entertainment; Innercircle Management; Innovative Artists (LA); Insanity Filmworks; Insight; Insight Entertainment Group; Insight Film Studios, LTD; Insomnia Media Group; Inspire Entertainment; Intandem Films; Intellectual Property Group; Intercom Entertainment Inc.; Interlight; Intermedia Film Equities USA, Inc.; Intermedia Films (UK); International Artists Group, Inc. (FL); International Arts Entertainment; International Creative Management; International Creative Management (ICM-LA); International Creative Management (ICM-NY); International Film & Music, Inc.; International Film Group; International Literary Representation & Management; International Production Company; Interscope/Shady/Aftermath Films; Intrepid Pictures; Intrinsic Value Films; Intuition Productions; IPC Films; Irene Webb Literary; Iridium Entertainment; Irish Dreamtime; Irish Dreamtime (Pierce Brosnan); Iron Horse Entertainment; Ironworks Production; Irv Schechter Company, The; Is Or Isn't Entertainment; Ithaka ; Ithaka LLC; ITV Studios, Inc.; ITV Studios, Inc. (LA); ITV Studios, Inc. (NY); Ivy Films; IWP/Gemini; Ixtlan (Oliver Stone); Iyara Films; J.K. Livin Productions; J.K. Livin Productions (Matthew McConaughey, Gus Gustawes); Jack Scagnetti Talent & Literary Agency; Jackhole Industries (Jimmy Kimmel); Jackson Artists Corporation; Jacobs Entertainment, John ; Jaime Monroy Studios; Jake Films; James Bryan Films; James Peter Associates Inc.; Jamie Kennedy Entertainment; Jane Rotrosen Agency; Jane Startz Productions, Inc.; Janicek-Media Creative/Cumulus Entertainment; Janicek-Media Creative/Cumulus Entertainment (Denver); Janicek-Media Creative/Cumulus Entertainment (LA); Janklow & Nesbit Associates; Janna E. Gelfand Productions; January Films; Janus Films; Jaret Entertainment; Jay & Tony Show Productions; Jay Silverman Productions; Jay Simone Talent; Jaymes-Nelson Entertainment; JBR/BK Production; JCS Entertainment II; JDA Management; Jean Doumanian Productions; Jeff Dowd & Associates; Jeff Herman Agency, LLC; Jeff Morton Productions; Jeff Rice Films; Jeff Ross Entertainment; Jeff Ross Entertainment, Inc.; Jeff Wald Entertainment; Jeffrey Loseff Management; Jenkins Entertainment; Jericho Entertainment; Jerry Bruckheimer Films & Television; Jerry Weintraub Productions; Jersey Films; Jet Film Company, The; Jet Tone Productions; Jibjab Media Inc.; Jim Henson Company, The; Jim Keeshen Productions; Jim Preminger Agency, The; Jim Wedaa Productions; Jinks/Cohen Company, The; JKA Talent & Literary Agency; JKR Productions, Inc.; JMG Management; Joan Stein Productions; JoAnne Roberts Productions; Joda Productions/Hollywood West Inc.; Jody Rein Books, Inc.; Joel Films; Joel Stevens Entertainment; Joey Edmonds Entertainment; John Baldecchi Productions; John Brister Films; John Calley Productions; John Carrabino Management; John Fogel Entertainment Group; John Goldwyn Productions; John Hawkins & Associates; John Morrissey Productions; John Sobanski Management; John Wells Productions; Johnenelly, Inc. Productions; Jon Klane Company, The; Jonesing Pictures; Joseph Rapp Enterprises, Inc.; Josephson Entertainment; Josselyne Herman & Associates; Josselyne Herman & Associates/Urban Dream Enteratainment; Josselyne Herman & Associates/Urban Dream Entertainment; Joy Harris Literary Agency, The; JTN Productions; JTN Productionsl; Judy Boals, Inc.; Judyo Productions; Jumprope Productions; Junction Entertainment; Junction Films; June Beallor Productions; Just Singer Entertainment/Steve White Films; JW Productions; K2 Pictures, Inc.; K5 Film GmbH; Kahn Power Pictures; Kallen Literary Agency, Leslie B. ; Kalman & Pabst Photo Group; Kaplan, Marty; Kaplan, Stahler, Gumer, Braun Agency; Kaplan/Perrone Entertainment, LLC; Kaplan-Stahler Agency, The; Karma Entertainment; Karz Entertainment; Kasander Productions Ltd.; Kaspi Global Productions; Kathleen Schultz Associates; Kaufman Company, The; KDX Productions; Keats Entertainment; Keckins Projects, Ltd.; Keeve Productions; Keller Entertainment; Keller Entertainment Group; Ken Gross Management; Ken Sherman & Associates; Kennedy/Marshall Company; Kenneth Johnson Productions; Kensington Entertainment; Kentucky Film; Kenwright USA/Bill Kenwright Ltd; Kerala State Film Development Corporation; Kerin-Goldberg & Associates; Kerner Management Associates (KMA); Ketay Agency, The Joyce; Kettledrum Films; Key Creatives, LLC; Keylight Entertainment; Keystone Entertainment, Inc.; KGB Films; Kicked Down Productions; Kickstart Productions; Killer Films; Killer Films, Inc.; Kinesis Entertainment, Inc.; Kinetic Filmworks; Kinetic Management; King Management; King, Ltd., Archer; Kingman Films International; Kingsize Entertainment; Kintop Pictures; Kismet Entertainment Group; Kismet Productions, Inc.; Kitefliers Studios; Kjar & Associates; Klasky Csupo; Klasky Csupo, Inc.; Kleiser-Walczak; Kneerim & Williams at Fish & Richardson; Kodiak Resource Development; KoMut Entertainment; Konigsberg Company, The; Konwiser Brothers; Koopman Management; Kopelson Entertainment; Kosberg Productions, Robert; Krainin Productions, Inc.; Krane Media, Inc.; Kremlin Films; Kristine Krupp Talent Agency; Kritzer Entertainment; Kritzer Levine Wilkins Griffin Entertainment; Krofft Pictures Corp., Sid & Marty; Kudos Film and Television; L. Perkins Agency; LA Literary Agency, The; LA Management; La Place Management; LA Productions; LAF Studios; Lahey/Brenner Company, The; Laika, Inc.; Lake Agency, The Candace ; Lake Como Pictures; Lakeshore Entertainment Group LLC; Lampoon Talent Group; Lancaster Productions, David; Lance Entertainment Inc.; Landers Group, The; Landis - Simon Productions & Talent Management; Landsburg Company, The; Landscape Entertainment; Lane Management Group; Lang Entertainment Group, Inc.; Langley Park Pictures; Langley Productions; Lara Rosenstock Management; Larco Productions, Inc. (Larry Cohen); Larger Than Life Productions; Larkin-Goldstein Productions; Laroda Group, The; Larry Thompson Organization; Lasalle Holland; Lashbrook Films, Rick; Last House On The Right Productions; Last Minute Films, Inc.; Latham Entertainment; Latin Hollywood Films; Latte-Da Productions, Inc.; Laugh Factory Entertainment; Laugh Factory Management, The; Launa Newman Productions (LNP); Laura Bickford Productions; Laura Ziskin Productions; Laurence Mark Productions; Laurie Goldstein/Nightstar Productions; Lava Production; Lavin Entertainment Group; Lawrence Gordon Productions; Laya Gelff Agency; Lee Attractions, Inc., Buddy; Lee Daniels Entertainment; Lee Productions, Michele; Leeza Gibbons Enterprises (LGE); Legacy Filmworks Ltd.; Legendary Pictures; Leisure Time Enterprises; Lenhoff & Lenhoff; Leo Films and Urban Movies; Les Films D'Antoine; Leslie Iwerks Productions, Inc.; Letnom Management & Productions; Letnom Productions; Level 1 Entertainment; Leverage Management; Levine Greenberg Literary Agency; Levinson Productions, Larry; Levinson/Fontana Company, The; Levity Entertainment Group; Levy Enterprises, Michael I.; Lex Filmed Entertainment; Liaison Films; Liddell Entertainment; Lieberman Company, Hal ; Liebman Entertainment; Lifeline Entertainment; Lifetime Networks; Lighthouse Entertainment; Lighthouse Productions; Lightmotive, Inc.; Lightning Entertainment; Lightstone Entertainment; Lightstorm Entertainment (James Cameron); Likely Story; Lilac Productions; Lily's Talent Agency, Inc.; Lin Oliver Productions; Lin Pictures; Linda Reitman Management; Lion Rock Productions; Lions Gate Entertainment; Lionsgate; LipSync Productions; Liquid Comics; Liquid Eye Productions; Liquid Theory; Literary Group, The; Literate Films; Little Engine Productions; Little Magic Films; Little Red Hen Entertainment; Litwest Group, LLC; Liveplanet; Liveplanet (Matt Damon, Ben Affleck); Liz Selzer Lang Productions; LJ Film; LLeju Productions and Films; Lloyd Entertainment; LMNO Productions; Loaded Features; Locke Productions, Peter; Locomotive; Logo Entertainment; Lonetree Entertainment; Longbow Productions; Longfellow Pictures; Loreen Arbus Productions, Inc.; Loretta Barrett Books, Inc.; Loring Productions, Lynn; Los Diablos; Lost Prophets Pictures; Lotus Pictures; Louis Digiaimo & Associates, Ltd.; Louverture Films; Lovett Management; LSL Productions; Luber Rocklin Entertainment; Luber Roklin Entertainment; Lucas Talent, Inc.; Lucid Logic Productions; Lucky Crow Films; Luedtke Agency, The; Luminair Entertainment; Luna Ray Films; Lunaria Films; Lynch Company, The Tom; Lynn Company, The; Lynn Pleshette Literary Agency, The; Lynx Filmworks; M International Talent Agency; M Management ; M. M. Gertz Entertainment; M2M Studios; Macdonald Productions, William J.; Mace Neufeld Productions; Macedon Media; MacFarlane Chard Associates Ltd.; Macht Entertainment Group; Mack Muse Entertainment, Inc.; MacKenzie Entertainment; Mackenzie-Morel; Macromanagement; Macy Productions, Trevor; Mad Chance; Mad Era Management & Productions; Mad Hatter Entertainment; Mad Hatter Films; Mad Heaven Entertainment; Mad Samurai Productions; Madhouse Entertainment; Madhouse Studio, Inc.; Madison Road Entertainment; Magar Films, Guy; Magic Johnson Entertainment; Magic Light Pictures; Magicfying Films; Magnet Management; Magnolia Entertainment; Maguire Entertainment; Maier Management; Main Attraction Films; Mainline Releasing; Maj Canton Productions; Mak Company, The; Makemagic Productions; Malla Entertainment/Light Force Films; Maltman Entertainment; Managed Passion Films; Manage-ment; Management 101; Management 360; Managing Artistic Concepts; Mandalay Pictures; Mandalay Television; Mandalay Vision; Mandate Pictures; Mandeville Films; Mandt Bros. Productions; Mandy Films; Manhattan Pictures; Manifest Film Company; Manmade Entertainment Productions; Manos Management; Mansion Comics & Earthangels Literary Management; Manta Entertainment; Manus & Associates Literary Agency, Inc.; Marathon Entertainment; Marc Bass Entertainment Group (MBEG); Marc Platt Productions; Marcelli Company, The; Marcus Bryan & Associates; Maria Carvainis Agency, Inc.; Marianne Strong Literary Agency; Marina Motion; Marine Street Films; Marion Rosenberg Office, The; Mark Archer Entertainment; Mark Carliner Productions; Mark Castro; Mark Gordon Company, The; Mark I Productions; Mark Victor Productions; Mark Yellen Productions; Marsh Entertainment; Marshak/Zachary Company, The; Martin Chase Productions; Martin Literary Management; Martin Ransohoff Productions; Marty Katz Productions; Marty Shapiro Management; Marv Dauer Management; Marvel Studios, LLC; MarVista Entertainment; MarvVsta Entertainment; Mary Ann-Laglo Productions; Mary Jane Skalski; Mary Tahan Literary Agency; Mass Hysteria Entertainment; Matador Pictures; Matovich Productions; Matrixx; Matthau Company, Inc., The; Matthau Company, The; Maureen Donley Pictures; Maverick Films; Max Freedman Media; Maximum Films & Management; Maya Entertainment Group; Maya Entertainment Group, Inc.; Maya Pictures; Mayhem Group, The; Mayhem Pictures; Mayhem Project, The; MBST Entertainment; MBST Entertainment, Inc.; Mc Squared Entertainment; McCormick & Williams; McDougal Films; McGee Creative; McIntosh and Otis, Inc.; McKeon-Myones Management; McMillan Institute for the Arts; MD2 Group; Media 8 Entertainment; Media Artists Group Literary; Media Four; Media Nation PMC; Media Rights Capital (MRC); Media Savant Pictures; Media Talent Group; Mediachase; Media-Savvy; Mediastars; Medici, The; Medusa Film; Meg Management; Mel Stuart Productions, Inc.; Melee Entertainment; Melies; Mendel Productions, Barry; Meno Film Company; Menza-Barron Agency ; Mercer Film Group; Merchant-Ivory Productions; Meredith Vieira Productions; Meridian Films; Merko Motion Pictures; Merv Griffin Entertainment; Messina Baker Entertainment Corporation; Metanoia Films; Metropolitan Talent Agency (MTA); Meyer Productions, Patricia; MGM ; MGP, Inc.; Michael Ades Films; Michael Amato Agency; Michael Black Management, Inc.; Michael D. Robins & Associates; Michael De Luca Productions; Michael Einfeld Management; Michael Grais Productions; Michael H. Sommer Literary Agency; Michael Lewis & Associates; Michael Mailer Films; Michael Meltzer & Associates; Michael Meltzer Productions; Michael Productions, Inc., Terence; Michael Siegel and Associates; Michael Taylor Productions; Michael Wallach Management; Michaels Literary Agency, Doris S.; Michgayle Entertainment; Midnight Evil Productions; Midwest Talent Management, Inc.; Mike Lobell Productions; Mike's Movies/Michael Peyser Productions; Milagro Films; Milestone Films; Milk & Media; Millennium Entertainment, Inc.; Miller/Boyett Productions; Milojo Productions; Mind Wave Entertainment; Mindfire Entertainment; Mindless Entertainment; Mine; Mirage Holding Studio; Miramax ; Miramax Films; Miranda Entertainment; Miriam Altshuler Literary Agency; Mirisch Corporation; Mirror Maze GmbH; Misher Films; Mission Entertainment; Mitchell K. Stubbs & Associates; MJR Management; MKD Productions; MLW Productions; MM Productions; MM Productions (Michelle Manning); Mobius International; Mocean Management; Mockingbird Pictures; Mod 3 Productions; Mod3Productions; Mode of 8; Mojo Films; Momentum Talent & Literary Agency; Monarex Hollywood Corporation; Mondo Media; Mongoose Film Productions; Monkey Business Productions (LA); Monkey Business Productions (Vancouver); Monsoon Entertainment; Monster Productions; Montage Entertainment; Montecito Picture Company, The / Cold Springs Pictures LLC; Monteiro Rose Dravis Agency, Inc.; Moody Street Pictures; Moonscoop US; Moonstone Entertainment; Moore Artists' Management; Moore/Cramer Productions; Mor Entertainment; Moran Agency, Maureen ; Morel Entertainment, James; Morgan Agency, The; Morgan Creek Productions; Morganstern Entertainment; Morgenstern Entertainment; Morningstar Entertainment; Mosaic Productions; Moshag Productions, Inc.; Motel Films; Motion Picture Corporation of America; Motion Picture Corporation of America (MPCA); Motion Picture Production, Inc.; Mountainair Films; Movie Company, The; Movie Development Corporation; MoviFunda Productions, LLC; Moving Image, The ; Mozark Productions; MPH Entertainment, Inc.; MPI Productions; MPM Productions; MPower Pictures; Mr. Mudd; Mr. Smoothie Company; Mraovich Productions, Sam; MRB Productions, Inc.; MRI, Inc.; MTV Films; MTV Networks; Mulberry Square Productions, Inc.; Multi-Ethnic Talent; MultiVisionnaire Pictures; Muraviov Company, The; Muse; Muse Productions; Muse Productions, Inc.; Mutiny Universe; Mutual Film Company; MWG Productions; My Cousin's Cousin; My2Centences; Myriad Pictures; Myster General Production; Mythos Studios; N.S. Bienstock, Inc.; N/V; Naggar Literary Agency, Inc., Jean V; Nala Films; Namesake Entertainment; Nanas Entertainment; Nancy Bevins Films; Nancy Tenenbaum Films; Napkin Management; Nash Entertainment; Nash-Angeles; Nasser Entertainment Group; Nasser Entertainment Group (Canada); Nasser Entertainment Group (LA); National Geographic Films; National Geographic Kids Entertainment; National Lampoon; Natural Selection; Natural Talent, Inc.; Navarro Productions; NB Pictures; NCH Entertainment Corp.; Neal Street Productions; Nebula Management; Nehst Studios; Neighbors Entertainment; Nelvana Entertainment; Neo Art & Logic; Net Effect Media; Nethercott Agency; Neu-Man-Films; Never A Dull Moment Productions; Neverland Agency/Go Entertainment; Neverland Films, Inc.; New Amsterdam Entertainment, Inc.; New City Pictures; New Concorde; New Concorde (Roger Corman); New Crime Productions; New Eastwood Talent Corp.; New Generation Films, Inc.; New Horizons Picture Corp.; New Kingdom Pictures LLC; New Line Cinema; New Ray Films; New School Media; New Wave Entertainment; New York Office; Newlight 21 Entertainment Corporation; Newman Entertainment, Vincent; Newman Productions, Inc., Peter; Newman/Tooley Films; Newmarket Capital Group; Next Stop Management; Next Wednesday; Niad Management; Nicholas Ellison Agency, The; Nicholas Loeb International; Nick Grillo Productions; Nick Yellen Creative Agency; Nickelodeon Movies; Night & Day Pictures; Nile Productions; Nine by Nine; Nine Yards Entertainment; Nine/8 Entertainment; Nineteenth Star; Nite Owl Productions; Nitelite Entertainment; Nitestar Productions; No Restrictions Entertainment; Nobody Productions; Noon & Associates Artist Management; Norman Twain Productions; Norsemen Television Productions, LLC; North by Northwest Entertainment; North of Two Pictures; Nova Pictures; NT Media Corporation; Nu Image/Millennium Films; Nuance Prods. (Paul Reiser); NuConcepts Productions; NXT Entertainment, Inc.; O Entertainment; O Entertainment, The (Steve Oedekerk); O.N.C. Entertainment, Inc.; O2 Filmes; Oak Island Films; O'Allah Entertainment Inc. & B.U.E.; Objective Entertainment; Occupant Films, LLC; Oceanside Entertainment; Ocelot Pictures; Octane Entertainment; Odd Lot Entertainment; Odenkirk-Provissiero Entertainment; Off N Running Management (ONR); Offerman Entertainment; Offroad Entertainment; Offspring Entertainment; Ofrenda, Inc.; Oil & Water Productions; Oil Factory, Inc.; Okun Productions, Sam; Old Road Pictures; Oliver Productions, Lin; Olmos Productions, Inc.; Olympus Pictures; Omega Entertainment; Omnibus; Omnipop Talent Group; Omniquest Entertainment; Omniquest Media; On Stilts Productions; On The Lam Productions; On Time and Sober Productions; Once Upon A Time Films; Once Upon A Time Films, Ltd.; One Entertainment; One Light Productions; One Roof Entertainment; One Step Productions; One Talent Management; Online Talent Group/Schuller Talent; Onstream Partners; Open City Films; Open Door Entertainment; Open Road Films; Open Road Productions; Opine Entertainment; Optional Pictures, LLC; Oracle Creative Management; Oracle Creative Management (NY); Orange Grove Group; Orchard Films; Origin Talent; Original Artists; Original Film; Original Films; Original Six Productions; Orlando Quinn Productions; Orly Adelson Productions; Orly Adelson Productions Inc.; O'taye Productions; Otto R. Kozak Literary & Motion Picture Agency; Out of the Blue Entertainment; Out of the Blue...Entertainment; OutaSite New Media Studios; Outerbanks Entertainment; Outlaw Josie Films; Outlaw Productions; Outpost Films; Outrider Pictures; Ovation Management; Over The Hill Gang, The; Overseas Filmgroup / First Look Pictures; Overture Films; Overture Films (LA); Overture Films (NY); Overview; Oxygen Media, Inc.; P & R Productions; P.K.A. Entertainment Group; P.O.V. Company; Pacific Entertainment; Pacific Western Productions; Pacifica Film Development; Pacifica International Film & TV Corp.; Pack, The; Paia Pictures; Paid Our Dues Productions; Paige Associates, Inc., George; Palisades Pictures; Palladin Group, The; Palmstar Entertainment; Palomar Pictures; Pamela Beck; Pamplin Film Company; Panacea Entertainment; Panamax Films; Pandemonium ; Pandora Films; Pantelion Films; Pantheon; Papa Joe Film And Television; Paper Street Films; Paradigm; Paradigm (LA); Paradigm (NY); Paradigm Studio; Paradox Productions Inc.; Paragon Management; Parallel Entertainment, Inc.; Parallel Media; Paramount Classics; Paramount Pictures; Paramount Pictures Production Division; Paramount Vantage/Classics; Paratrooper Movieworx; Paratrooper Movieworx LLC; Pariah; Parkway Productions; Parlay Media; Parseghian Planco, LLC; Participant Productions; Partizan; Patchett Kaufman Entertainment; Patey Talent Management; Pathe Pictures; Pathfinder Pictures; Pathfinder Pictures, LLC; Patriot Pictures; Paul Hardart; Paul Kohner, Inc.; Paul Lane Entertainment; Paul S. Levine Literary Agency; Pavia Management, Ria; Payaso Entertainment; PB Management; Peace Arch Entertainment Group Inc.; Peace Arch Entertainment Group, Inc.; Peace By Peace Productions ; Peaceful Warrior Productions; Peak Productions; Pearl Pictures; Pearl Pictures Management; Peculiar Films; Pelagius Films; Perilous Pictures; Periscope Entertainment, LLC; Perro Verde Films; Perry Katz Productions; Perryscope Pictures; Persistent Entertainment; Person to Person Films; Pet Fly Productions; Peter Associates, Inc., James; Peter Frankovich Productions; Peter Giagni Management, Inc.; Peter Golden & Associates, Inc.; Peter Hankwitz Production & Management; Phillip B. Gittelman Personal Management; Phoenix Artists; Phoenix Organization, The; Phoenix Pictures; Picture Palace Films; Picture This Television, LLC; PicturePlay Films; Pierce Company, The Frederick S. ; Pierce Williams Entertainment; Piller/Segan/Shepherd; Pinata Productions & Management; Pinch Entertainment; Pipeline Talent; Piranha Pictures; Pitt Group, The; Pixar Animation Studios; Plastercity Productions; Platinum Dunes; Platinum Studios; Platinum Studios, Inc.; Playtime Productions; Playtone Company, The; Plum Pictures; Plumeria Entertainment Management; PMA Literary & Film Management, Inc.; Point Zero Seven, LLC; Polaris Entertainment; Politically Incorrect Motion Pictures (PIMP), Inc.; Pollywog Entertainment (Andy Dick); Poor Boys Productions; Popular Arts Entertainment; Popular Arts Entertainment, Inc.; Populuxe Pictures; Porchlight Entertainment; Port Magee Pictures; Port Magee Pictures Inc.; Portergeller Entertainment; Portman Film & Television; Possibility Pictures; Potboiler Productions; Power Entertainment; Practical Pictures; Precis Productions; Preferred Artists; Prelude Pictures; Premier Attractions; Preston Stephen Fischer Company; Pretty Dangerous Films; Pretty Disgusting; Pretty Pictures; Price Entertainment, Inc.; Prim Productions; Principal Entertainment; Principal Entertainment (LA); Principal Entertainment (NY); Principato-Young Entertainment; Principato-Young Management; Pritcher Company, The; Pro and Con Productions Talent Management; Process Media; Produce Media Group; Producer & Management Entertainment Group; Producers Group; Producers Group Studios; Producers, The; Professional Artists; Program Partners; Prohibition Pictures; Promark Entertainment Group; Prometheus Entertainment; Prospect Pictures; Protege Management; Protocol Entertainment; Publish Or Perish Agency, Inc.; Pukkanasha Films; Pulsion Design; Pure Arts; Q Media Partners; QED International; Quality Filmed Entertainment; Quantum Leap Corporation, The; Quattro Media; Quillco Agency; Quinn Media Management; Quinn Productions; Quinta Communictions USA; Quorum Entertainment; QVF Inc.; Rabineau Wachter Sanford & Harris Literary Agency, The; Rabineau Wachter Sanford & Harris Literary Agency, The (RWSH); Rabiner/Damato Entertainment; Radar Pictures; Rader Productions; Radio...With Pictures; Radmin Company, The; Raffaella Productions; Rage Entertainment; Rain Management Group; Rainbow Releasing & Film Company; Rainey & Gray LLC; Rainstorm Entertainment; Rainstorm Entertainment Inc.; Rainstorm Entertainment, Inc.; Rajski Productions, Peggy; Rakontur; Rampage Films; Random House Films; Ransom Productions; Rat Entertainment; Rat Entertainment / Rat TV; Rat Entertainment / Rat TV (Brett Ratner); Raw Talent; Raw/Progressive Films; RDF USA; Read.; Realitory; Rebar Management; Rebel Entertainment Partners, Inc.; Rebel Films; Rebellion 4 Entertainment; RebelStone Productions; Recorded Picture Company; Red Baron Management; Red Bird Cinema; Red Cup Production House; Red Diamond Company; Red Harvest Entertainment; Red Hook Films; Red Horse Films; Red Hour Films; Red Planet Entertainment; Red Productions; Red Productions (NY); Red Productions (TX); Red Rose Media; Red Shogun Pictures; Red Talent/Literary Agency; Red Wagon Entertainment; Redcup Production House; Red-Horse Productions; RedTip Media; Reece Halsey North; Reel Life Women; Reel World Management; Reelvision Entertainment; Rees Associates, Marian; Regency Enterprises; Regent Entertainment; Regent Entertainment Inc.; Rehme Productions; Reid Productions Inc., Tim ; ReignDeer Entertainment; Relativity Media, LLC; Relativity Media; Relevant Entertainment Group; Relish Productions; Remember Dreaming Productions; Renee Missel Management; Renegade Animation; Renfield Productions; Renfield Productions (Joe Dante); Renfield Productions (Joe Dante); Reuben Cannon & Associates; Reveille, LLC; Revelations Entertainment; Reverse Angle International (Wim Wenders, Peter Schwartzkopff); Revolution Films; Revolution Studios; Revolution Studios (Joe Roth); Reynolds Entertainment; RG Entertainment; RH Factor; RHI Entertainment; Rhino Films; Rice & Beans Productions; Rice Films; Richard Brustein Entertainment; Richard Curtis Associates; Richard Schwartz Management; Rick Berman Productions; Rick Conrad Productions; Ricochet Entertainment; Ridini Entertainment; Ridini Entertainment Corporation; Rigberg Entertainment Group; Rigel Entertainment; Rights Unlimited; Rip Cord Productions; Rita Films; Rival Agency, The; Rive Gauche Entertainment; River One Films; River Road Entertainment; Rivet Entertainment; RJM/Renee Jennett Management; RJN Productions; RKO Pictures, LLC; RLR Associates; RMG ; RMG (NY); Road Less Traveled Productions; Road Rambler Films; Roadkill Films; Roadshow Entertainment; Roadside Attractions; ROAR; Robbins Entertainment; Robert A. Freedman Dramatic Agency; Robert Cort Productions; Robert D. Wachs Company, The; Robert Thorne Company, The; Roberts/David Films, Inc.; Robinson/Sherman Pictures; Rocket Science Laboratories; Rocket Science Labs; Rocking Horse Productions; Rockstone Pictures; Roger Gimbel Productions; Rogers Hartmann Literary; Rogue Arts; Rogue Creative; Roman Empire Films; Roman Entertainment, Phil; Romano Modeling & Talent Agency, Cindy; Ron DeBlasio Management; Ron Ziskin Productions; Rona Edwards Productions/ES Entertainment; Ronald S. Dunas Productions; Room 101, Inc.; Room 9 Entertainment; Room 9 Entertainment LLC; Rosalie Siegel International Literary Agent, Inc.; Rose Productions, Lee ; Rosen/Bender Productions; Roserock Films; Ross Management, Jeff; Rossu Entertainment; Rosswwmedia Corporation; Rothman Brecher Agency, The; Rothman/Patino/Andres Entertainment; Rough Diamond Management; Rough Diamond Productions; Rough Draft Studios; Roundtable Ink; Roxbury Films; Roxbury Projects, The; RPM International; RSF Productions; R-Train Management; Ruby Films; Ruby-Spears Productions; Ruda Enterprises; Ruddy Morgan Organization, Inc., The; Ruddy Morgan Organization, The; Rudin Productions, Scott; Rumble Media; Runaway Productions; Rupert Productions; Russell & Volkening; S. Hirsch Company / SeeMore Films; SĀ©ott Treimel NY; Sachnoff-Lipman Entertainment; Sacred Dogs Entertainment; Saffron Management; Safran Company; Sagafilm; Sager Management and Entertainment, Inc.; Saladag Productions; Salamandre Productions; Saltire Entertainment; Saltmill Productions; Salty Features; Salvatore/Ornston Productions; Sam Okun Productions; Samoset Inc./Sacret Inc.; Samson Films; Samuel Goldwyn Films; Samuel Goldwyn Films (LA); Samuel Goldwyn Films (NY); Samuel Oriti Productions; Samy Boy Entertainment; Sanctuary; Sandbox Entertainment; Sander/Moses Productions; Sander/Moses Productions, Inc.; Sanders Productions, Scott; Sandstorm Films; Santa Monica Pictures; Santos-Fischer Management; Saphier Productions; Saturn Films; Sawyter Entertainment, Tom; Saxon Productions (ESP), Edward; SB Enterprises, LLC; SBK Pictures, Inc.; Scarlet Fire Entertainment; Scene Bridge Entertainment LLC; Schachter Entertainment; Schechter Company, Irv; Schiff Company, The; Schiff Productions, Paul; Schiowitz, Connor, Ankrum & Wolf, Inc. (NY); Schiowitz, Connor, Ankrum, Wolf, Inc. (LA); Schramm Group, The; Schumacher Management; Sci Fi Channel; Score! Media Ventures; Scott Carlson Entertainment Inc.; Scott Free Productions; Scott Free Productions (Ridley Scott & Tony Scott); Scott Hart Entertainment; Scout Film; Screen Door; Screen Gems; Screen Partners, Inc.; Screen Talent Agency, Ltd., The; Screen Vision; Screencraft Entertainment GmbH; Scribblers House LLC Literary Agency; ScriptStar Pictures; SE8 Group; Seaside Productions; Second City Entertainment; Seed Productions; See-Saw Films; Sekret Agent Productions; Sekretagent Productions; Selzer-Lang Productions, Liz; Senator Entertainment; Senator Entertainment, Inc.; Senza Pictures; Seraphim Films; Serenade Films; Serendipity Point Films; Serendipity Productions; Seven Arts Pictures; Seven Summits Pictures & Management; Shadow Entertainment; Shadowcatcher Entertainment; Shadowmachine; Shady Acres Entertainment; Shaftesbury Films; Shamon Freitas Model & Talent Agency; Shamrock Motion Pictures; Shangri-La Entertainment; Shannon & Company; Shapiro/West & Associates, Inc.; Shapiro-Lichtman Talent Agency, Inc.; Sharp Independent At Harpercollins; Shatter Glass Productions; SHC-Entertainment; Sheeline Management; Sheldon Prosnit Agency; Shelter Entertainment; Sheree Guitar Entertainment; Shine Productions, Ltd.; Shoe Money Productions; Shonkyte Productions; Shoot Productions; Shoot The Moon Productions; Shoot the Moon Productions, LLC (Blye Pagon); Shore View Entertainment; Shoreline Entertainment Management; Shoreline Entertainment, Inc.; Showbuzz; Showtime Networks Inc.; Showtime Networks Inc. (LA); Showtime Networks Inc. (NY); Shukat Company, Ltd., The; Shuman Company, The; Shutt-Jones Productions; Sid & Marty Krofft Pictures; Sid Feders Productions; Sidetrack Films; Sidney Kimmel Entertainment; Sidney Kimmel Entertainment, Sidney; Siegal Company, The; Sienna Films; Siete Machos Films; Signature Films/ Millennium Dance Complex; Signature Pictures; Silent R Management; Silicani Agency, Al; Silver Bitela Agency; Silver Dream Productions; Silver Lion Films; Silver Pictures; Silver Vision Films; Silverline Entertainment; Silverline Pictures; Silvermine Entertainment; Silvers/Koster Productions, Inc.; Simmons Lathan Media Group; Simon Banner Associates; Simon West Productions; Simonds Company, The Robert; Simons Productions, David A.; Simsie Films/Media Savant Pictures; Single Spark Pictures; Sirensong Entertainment, Inc.; Sirk Productions; Site 85 Productions; Sittenfield Management, Joan (JSM); Sitting Ducks Productions; SITV; Sixth Borough Entertainment; Sixth Way Productions; Size 9 Productions; SK Management; Skalski, Mary Jane; Skippy Dog Productions; Skye Island Entertainment; Skylark Entertainment; Skylark Films; Skyline Pictures; Skyward Motion Pictures; Slamdance Management; Slamdance Media Group ; Slater Brothers Entertainment; Sleeper Films, Inc.; Sleeping Giant Entertainment; Slessinger & Associates, Michael ; Slingshot ; Slipnot! Productions/SPG; Sloane/Borden Pictures; Smart Entertainment; Smash Media, Inc.; Smith Entertainment; Smoke House ; Smuggler Films; Smuggler Films (LA); Smuggler Films (NY); Snapdragon Films; Sneak Preview Entertainment; Snoot Entertainment; Sobini Films; Social Capital Films; Soiree Fair, Inc.; Solaris; Solipsist Films; Solo One Productions; Somers Mauldin The Rose Group; Somersault Films; Sommers Company, The; Sonesta Entertainment; Sony Classics; Sony Pictures Television; Sorehead Entertainment; Sound Boy Entertainment & Management; South Creek Pictures; South Productions; Southern Skies, Inc.; Sovereign Management; Spacedog Entertainment; Sparkler Entertainment; SPC Productions, LLC; Spectrum Entertainment; Spellman Entertainment Partners; Spellman Entertainment, Christopher; Spellman-Paul Entertainment; SPG; Spice Factory; Spike TV; Spirit Lake Pictures; Spitzer Literary Agency, Inc., Phillip G.; Spivak Entertainment; Spontaneous Productions; Spot Light Entertainment; Springboard Films; Springboard Films, LLC; Spry Management; Spumco; Spyglass Entertainment; Spyworm; Squared Foot Productions; Squid Brothers, Inc.; SRG Productions; St. Amos Productions; Stage 18 Productions; Stagescreen Productions; Stallion Media ; Stallion Media, LLC; Stampede Entertainment; Stanley Chase Productions; Star Harbor Films; Starcraft Talent Agency; Stargate Entertainment; Stargazer Entertainment; Starlight Pictures; Starry Night Entertainment; Stars Road Entertainment; Stars, The Agency; Starway International; Starwil Talent; State Street Pictures; Station 3; Station 3 (LA); Station 3 (NY); Steam Powered Studios; Steamroller Productions; Steamroller Productions (Steven Seagal); Stefanie Epstein Productions; Stein Agency, The; Steinberg Talent Management Group; Stephanie Rogers & Associates; Stephen Pevner Inc.; Sterling/Winters Company, The; Stern Agency, Gloria; Stevens Company, The; Stewart Talent; Stick Figure Productions; Stiletto Television; Stillwater Films; Stone Canyon Media; Stone Manners Agency; Stone Manners Salners Agency (LA); Stone Manners Salners Agency (NY); StoneBrook Entertainment; Stonefield Productions; Stonelock Pictures; Storefront Pictures; Story And Film, Inc.; Story Arts Management; Storyline Entertainment; Storyopolis Productions; Storytime Entertainment; Straight Up Films; Straightawaymovies; Stratus Film Company; Strauss-McGarr Entertainment; Stray Dog Films; Strongbox Productions; Stuart M. Miller Co., The; Stubbs & Associates, Mitchell K.; Stuber Company, Scott; Studio De Vaan; Studio Hamburg Production International; Studio Talent Group; Studiocanal (U.S.); Stun; Sub Rosa Productions; Subias; Sudden Storm Productions; Sugar Brothers Entertainment; Suite A Management Talent & Literary Agency; Summerland Entertainment; Summit Entertainment LLC; Suncoast Film Group LLC; Sunset Canyon Productions; Sunset Pictures; Suntaur Entertainment; Superb Entertainment; Supremacy Films; Susan Graw and Associates; Susan Schulman Literary Agency; Sussex Ltd., Inc., A Management Company; Suzanna Camejo & Associates; Suzanne Bauman Productions; Suzanne DeLaurentiis Productions; Suzelle Enterprises; Sweeney Entertainment; Sweeney Management; Sweet Dreams Production; Sweet180; Swindy Films; Sylvia Ferguson Talent & Literary Agency; Symbolic Action; Symbolic Entertainment; Symphony Pictures, Inc.; Synchronicity Management (LA); Syncopated Films; Syndicate, The; T&C Pictures; T.J. McMurdo Management; Table Ninety One Entertainment (Anthony Mastromauro); TAG Entertainment; Tagline Pictures; Tailfish Productions; Talent Management Partners; Talent Representatives, Inc.; Talent Scout Communications; Talent Scout International Management; TalentWorks; TalentWorks New York; Talisman Pacific; Talking Wall Pictures; Tallulah Films; Tamara Asseyev Productions; Tami Lynn Productions; Tandem Entertainment Management; Tantamount Studios; Tapestry Films Inc.; Tapestry Films, Inc; TapWater Entertainment; Taran Company, The; Tashtego Films; Taurus Entertainment Company; Taylor Made Films; TCD Films; TDN Artists; Team Todd; Ted Borden & Associates, Inc.; Ted Fox Productions; Teicholz Productions, Tom ; Teitelbaum Artists Group; Telling Pictures, Inc.; Tempest Entertainment; Temptation Management; Ten 2 One Entertainment LLC; Terra Bella Entertainment; Terra Firma Films; TGI Entertainment Corporation; The Artists' Colony; The Asylum; The Axelrod/Edwards Company; The CW Television Network; The Donner's Company; The Duncan Group, Inc.; The Goldsmith Company; The Jinks/Cohen Company; The Literary Group; The Marshak/Zachary Co.; The Mount Company; The Pitt Group; The Producers; The Robert Mitnik Agency; The Sommers Company; The Steve Tisch Company; The Susan Gurman Agency; The Winer Company; The Wolper Org.; The Work Room Productions; ThinkFilm; Third Floor Productions Limited; Thirdhill Entertainment; This Is That Corporation; Thousand Words; Three Moons Entertainment Inc.; Three Twins Entertainment; Threshold Entertainment; Thrive Entertainment; Thruline Entertainment; Thunder Road Pictures; Thunderbird Pictures; Tidewater Entertainment; Tiger Productions; Timothy Marx Productions, Inc.; Tinoco Management; Titan Films; Titan Worldwide Entertainment; Titmouse, Inc.; TLC Entertainment; TMC Mediaworks; TMCO; TMT Entertainment; Together Brothers Productions; Tokyopop, Inc.; Tollin/Robbins Productions; Tollins/Robbins Productions; Toltec Artists; Tom Sawyer Entertainment; Tommy Boy Films; Tomorrow Film Corporation; Torn Sky Entertainment; Tornante Company, The; Torque Entertainment; Totem Productions; Touchy Feely Films; Touchy Feely Films (Paul Giamatti); Tower of Babble Entertainment; Trancas International Films; Trancas Management; Transmission Films; Travesty Productions; Treasure Entertainment; Tree Line Film; Treehorn Entertainment; Trevor Macy Productions; Trezza Entertainment; Triage Entertainment; Tribeca Productions; Tribeca Productions (Robert De Niro); TriCoast Studios; Tricor Entertainment; Tri-Core Entertainment LLC; Trident Media; Trident Media Group, LLC; Tri-Elite Entertainment; Trillion Entertainment; Trilogy Entertainment Group; Trinity Pictures; Trio Films; Triumph Management; Triumph Pictures, Inc.; Trivision Pictures; Troika Pictures; Troma Entertainment, Inc.; True Friend Productions; True Talent Management; Trueba Media; Tse Productions, Simon ; Tudor Management Group; Tule River Films; Turman Picture Company Inc., The; Turtle Agency, The ; Turtleback Productions; Twentieth Century Fox; Twilight Pictures; Twin Bros. Productions; Two Brothers Entertainment, LLC.; Two Islands Entertainment; Two Oceans Entertainment Group; Two Ton Films; Type A Films; Umbrella Point Entertainment; Unanimous Pictures; Underground Films; Underground Management; Unified Management; Unified Pictures; Union Entertainment; Unique Features; Unique Features (LA); Unique Features (NY); Unistar International Pictures; United Artists; United Artists Agency; United Sisters Film Production; United Talent Agency (UTA); Unity Communications; Unity Productions; Universal Home Entertainment Productions; Universal Management Group; Universal Media Studios; Universal Pictures; Unleashed Cinema; Unlimited Management; Unpainted Pictures; Untitled Entertainment; Upfront Productions; Urban Entertainment; Urge Artists; US Management; USA-Intertainment; USP Films; V & L International LLC; V & L International LLC.; Valhalla Motion Pictures; Vanguard Films; Vanguard Management Group; Vanguard Productions; Vanguard Talent Management; Vantage Entertainment; Varsity Pictures; Velocity Management; Veltre Company, The; Venture IAB; Verite Films; Vertigo Entertainment; Vertigo Films; Verve; Verve Talent & Literary Agency; Victor Kruglov & Associates; Victoria Sanders & Associates, LLC; Vide-U Productions; Vienna Productions; View Askew Productions; View Askew Productions, Inc.; Villard Productions, Dimitri; Vincent Cirrincione Associates, Ltd.; Vines Agency, Inc., The ; Visceral Films; Vision Art Management; Visionary Entertainment; Visionary Management; Vista Street Entertainment; Vital Pictures; Viviano Feldman Entertainment; Vizion Productions; Von Zerneck-Sertner Films; Von Zernekc-Sertner Films; Vox3 Films; VOY Pictures; VU Music Talent Management; Vulcan Productions; Waddell Productions/Management, R. Lee; Wainscott Studios; Walden Films; Walden Media; Wales Literary Agency, Inc.; Walker/Fitzgibbon Films; Walker/Fitzgibbon TV/Films; Waltzing Clouds, Inc.; War & Wisdom Entertainment; Warden McKinley Literary Agency; Wardenclyffe Entertainment; Wardlow & Associates; Warner Bros.Television; Warrior Poets; Washington Square Arts & Film; Water Street; Waterfall Films; Watermark Pictures; Watershed Films; Watkins/Loomis Agency; Watkins/Loomis Agency, Inc.; Wauhob Agency, Donna; Waverly Films; Waving Clouds Productions; Wax Co., The; Wayans Brothers Productions; Weed Road Pictures; Weekend Films; Weinstein Company, The; Werc Werk Works; West Productions, Simon; Westberg Entertainment; Westbourne Productions; Western Sandblast; Whamaphram Productions; Wheelhouse Entertainment; Whitaker Entertainment; Whitelight Entertainment; Whitewater Films; Whyaduck Productions; Wigram Productions; Wild at Heart Films; Wild Briar Talent; Wild Heart Productions; Wild Lunch Productions; Wildbrain Animation Studios; Wildrice Productions; Wildwell Films; Wili Baronet/Wilmark Entertainment; Will Entertainment; William Kerwin Agency; William Morris Endeavor Entertainment (LA); William Morris Endeavor Entertainment (London); William Morris Endeavor Entertainment (NY); Williams Agency; Williams Entertainment, Pierce; Wilson Productions, Brad; Wilson/Woods Productions; Winchester Films; Winchester Productions, Margot ; Winer Company, The; Wingman Productions ; Winsome Productions; Winter Road Entertainment; Winter's Bone Productions; Wisenheimer Films; Wishbone Entertainment Inc; Witt Productions, Dan; Witt-Thomas Films; WJ Robinson; WM. Clark Associates; Wolf Films; Wolf Films, Fred; Wolfrom Productions; Wolo Entertainment; Wolper Organization, The; Wolves at the Door Productions; Wonderfilms; Wonderland Productions; Workerbee Films; Working Artists Agency; Working Title Films; World International Network; World of Wonder Productions; WorldFlix, Inc.; Worldview Entertainment; Worldwide Biggies; Worldwide Media Conspiracy; Worldwide Pants; Wright Entertainment, Inc.; Wright Productions, Linda; Write Place, Write Time; Writers & Artists Group International (LA); Writers & Artists Group International (NY); Writers House; Writers' Representatives; Writerstore; WWE Films; WWE Studios; X Filme Creative Pool GMBH; Xeolux; Xingu Films; XOXO; Xpose Entertainment, Inc.; XYZ Films; Yari Film Group (YFG); Yellow Brick Road, Inc.; York Company, The ; York Entertainment; Young Productions, LLC, Mike; Young Productions, Mike; Your Half Pictures; Zachary Feuer Films; Zachary Shuster Harmsworth Agency (Boston); Zachary Shuster Harmsworth Agency (NY); Zack Hosseini Films; Zadeh & Associates, Stella; Zane Buzby & Conan Berkeley Productions; Zane W. Levitt Productions/Zeta Entertainment; Zanuck Entertainment; Zanuk Entertainment; Zaring/Cioffi Entertainment; Zentropa; Zephyr Films Ltd.; Zephyr Productions; Zero Gravity; Zero Gravity Management; Zero Pictures; Ziggy Entertainment; Zinkler Films; Zokalo Entertainment; Zollo Management, Gregg ; ZReal Productions; Zucker Productions; Zuckerman Entertainment; ZVI Howard Rosenman Productions


       





Writer's Rolodex


If you've ever wanted your own private rolodex with all the numbers in Hollywood that matter, it's here. With contact details for 4,265 production companies, independent producers, literary agencies, managers and studios, plus the pro-active 'My Contacts' feature.

'My Contacts' is a unique feature that will truly turn this into your own private Hollywood Rolodex. Now, every time you send a query, make a contact and/or send your script out, you can add that information to your 'My Contacts' section with the press of a button and keep tabs on your writing career. You can also add notes about who requested your script, when to follow up and any other useful info that will keep you on track. It's both private and personal.

       





All Access Screenwriting Competition  


Take advantage of an extraordinary opportunity for talented screenwriters to open the door to Hollywood and its deal-makers and have your work submitted to 29 companies that have already requested our top three Winners.







Promotion FREE!


If you submit your screenplay for coverage and/or development notes and you receive a “consider” grade from our professional readers, then we will place your screenplay in our online Script Marketplace and Hollywood Bugle, for six months, free of charge. The "consider" grade will be placed alongside your screenplay title and acts as a signpost to the visiting Hollywood executive.

If you receive a "recommend" grade, then not only do we offer our online Script Marketplace and Hollywood Bugle free for six months, but we also add two Script Express email marketing campaigns for your work.





Coverage Report


A coverage report is a tool used by the Hollywood executive to determine which scripts they will read and has the power to generate a "yes" or "no". The problem is, you'll never see that coverage report. It doesn't leave the Hollywood executive's desk and you're left wondering why your script didn't make it through. Don't take that risk and blow your chance. Why not see what your coverage report will look like first? Hollywood doesn't read a script twice!

Our professional readers have worked for the top studios, agencies and producers in Hollywood. We assign your screenplay to a personal reader who will provide analysis and generate a coverage report. A coverage report consists of a logline (your story in a nutshell), a synopsis, which details the events of your story from beginning to end, and analysis where the reader describes what worked, what didn't and the final grade: Recommend, Consider or Pass.

Any material that enters the Hollywood system gets tracked and if one major studio or producer passes, the negative feedback can spread like a ripple on a pond and your work is soon dead all over town. Don't give them a chance to say "no", hit them with your best possible work, the first time.

Your coverage report is private, no-one else will ever see it. We e-mail it directly to you. Our turnaround time for coverage is 10-12 business days.

If you order a Coverage Report online, we can accept your screenplay via email in Adobe Acrobat, Microsoft Word, Wordperfect, Rich Text, Plain Text, Final Draft, Scriptware or Movie Magic Screenwriter format.

Click here for a sample coverage report (in Adobe Acrobat Format).







Story Development Notes


Studio style development notes are approximately five to eight (5-8) pages long and address the main elements of your work. These notes are incisive and supportive. They offer constructive criticism and in-depth analysis, including: identifying and analyzing story problems, story logic, character development and structural concerns. If you don't want to waste any time in getting your screenplay ready for Hollywood, cut right to the chase and get these - you'll find them invaluable. These notes are private, no-one will ever see them. The notes are e-mailed directly to you.

Make sure your script is in top form. Don’t send it out into Hollywood until you’re absolutely sure it’s the best it can be. You only get one chance to make that first impression and convince the reader (Hollywood’s doorkeeper) or industry professional that this is the script they want to push forward. Studios and production companies can receive anywhere from 50 to 100 submissions and up per week, so your script has to be professional in order to stand a chance and well developed in order to stand out!

Competition in Hollywood is stiffer than ever and studios are becoming unwilling to nurture a project through development, ie they are insisting on screenplays that are camera ready. Do the work now and give your script the best advantage by using our development notes!







Treatment Notes


Are you thinking about writing a script, but you're not sure about the direction to take, the feasibility of your plot, or if your script will even be interesting to buyers once written? If you are, then this is the service for you. Don't waste valuable time, let us analyze your treatment and provide you with constructive feedback on the main elements: storyline, feasibility, marketability and point you in the right direction. These notes are a great timesaver and may even take you in a whole new and improved direction.

(A treatment is your story concept, plot, basic characters etc, normally laid out over 20-30 pages or less - a treatment can be registered with the WGA or United States Copyright Office - always protect your work!)







Hollywood Bugle


Submit your logline (pitch) and information to our Hollywood Bugle which we send out once a month to 8,644 executives at the top production companies, studios, management companies and agencies. Just to make sure they don't miss out, we send the Bugle by e-mail. The Hollywood Bugle puts your logline (pitch) right in front of the people that matter and it's guaranteed to get their attention. They see it in the Bugle and contact you directly to request a copy of your screenplay. It only takes a couple of minutes and couldn't be easier!

Use both, our Script Marketplace and Hollywood Bugle and you'll have every base covered.


       





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